Since then, Dallas Theater Center has seen significant growth and change, including the move into the Dee and Charles Wyly Theatre in the AT&T Performing Arts Center in the fall of 2009 the creation of the Diane and Hal Brierley Resident Acting Company an extensive series of new play productions, workshops and commissions an expanded commitment to producing musicals, including the launch of summer musical theater programming community collaborations with North Texas Food Bank, Dallas Holocaust Museum, Dallas Museum of Art, Sixth Floor Museum, and most of the region’s theater companies national collaborations with Public Theater and Playwrights Horizons in New York, Goodman Theatre in Chicago and Alley Theatre in Houston educational partnerships with Booker T. In September 2007, Kevin Moriarty joined Dallas Theater Center as the organization’s sixth Artistic Director. Hamburger was named Dallas Theater Center’s first Artistic Director Emeritus in 2007. More than 200,000 middle and high school students from across North Texas have attended mainstage productions at Dallas Theater Center through this outstanding program. Under Hamburgers leadership, Dallas Theater Center’s educational outreach flagship program Project Discovery celebrated its 20th consecutive season in 2006-2007. Hamburger’s 15-year tenure saw some of Dallas Theater Center’s most provocative and important productions to date, as well as the introduction of The Big D Festival of the Unexpected and the new works series FRESH INK/Forward Motion. Although he was Artistic Director for less than a year, Bryant’s contributions had informed the artistic life of Dallas Theater Center since 1984, when he joined the staff as a stage manager.įollowing a series of guest directors, Richard Hamburger joined Dallas Theater Center as Artistic Director in 1992. During Hall’s tenure, Dallas Theater Center also began its annual production of Charles Dickens’A Christmas Carol.Īdrian Hall’s tenure at Dallas Theater Center was followed by the leadership of Ken Bryant, who tragically died in 1990 before completing his first full season as Artistic Director. With access to three separate performance spaces (the basement of the Kalita Humphreys was also used as a theater), Hall produced an eclectic array of work ranging from classics to world premieres, such as his adaptation of Robert Penn Warren’s All the King’s Men. During this time Dallas Theater Center built the Arts District Theater, a dynamic, flexible space in downtown Dallas designed by scenic designer Eugene Lee (the space was closed in 2005 in preparation for construction of the Wyly Theatre). With the arrival of Adrian Hall in 1983, Dallas Theater Center was transformed into a fully professional theater with a resident company of actors. The sole female ever to hold this position, Jones took the reins for one year to lead Dallas Theater Center in the search for Baker’s replacement. In 1982 as Baker transitioned out of the theater, Mary Sue Jones, his longtime creative partner, served as Interim Artistic Director. During Baker’s tenure, Dallas Theater Center became one of the nation’leading producers of experimental interpretations of classics and world premieres, with 35 plays premiering on the Kalita Humphreys Theater stage during his time, including The Latent Heterosexual, Shadow of an Eagle, Blood Money, and Preston Jones’A Texas Trilogy. FOUNDED IN 1959, DALLAS THEATER CENTER WAS ONE OF THE FIRST REGIONAL THEATERS IN THE UNITED STATES AND WAS MARKED BY THE BUILDING OF THE KALITA HUMPHREYS THEATER, DESIGNED BY THE LEGENDARY FRANK LLOYD WRIGHT.ĭallas Theater Center was founded primarily as an educational institution under the leadership of Paul Baker, who envisioned Dallas Theater Center as a conservatory with a well-rounded resident company of writers, directors, designers, and actors.
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